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Custom Costuming Advice w/ Vagina Woolf
Burlesque Audience Etiquette
Doll Parts: Performance Rituals
With all types of performance, there is a certain amount of preparation to do before you go out on stage. Everyone has a routine or a ritual they go through before they walk out on stage, here are a few of ours.
Desiree De Carlo: I always twerk, bounce, & writhe in front of the mirror, often lip synching, to the songs leading up to mine. Gets me super amped. I also have to stand around naked for at least 10 minutes before costuming. Air bath!
Phyllis Thriller: I wear my grandma’s rhinestone jewelry in every show. She was also a performer in her youth, so I feel like I am bonding with her when I am onstage with her accessories.
Frenchy LaRouge: I have to show up super early or I feel off all night. I just like to get everything set up and have a moment to stretch or chat with the owners/bar staff. If I’m singing I go over the lyrics in my head several times in the back outside of the dressing room, by myself.
Lula Lawless: Before every show (that I’m able to) my beauty routine is as follows: candle lit bath with atomic lounge music. Then I curl and pin my hair and perform my makeup ritual to either doom metal or booty bounce music (usually depends on what character I need to become for my routine). Bad bitch night? or Eat you alive cunt? I also try to stretch and have 1-2 cocktails to loosen up.
Trini Bikinii: I just need a congratulations on how big my hair is from my man.
Gurl Haggard: I always sneak to the back and set my intention for my performance before I walk out. I say how I want the audience to feel out loud either in gibberish adjectives or an actual sentence.
Patsy Blue Ribbon: I always make sure we coochie crunch. It’s an all-hands-in tradition that I did pre-show in New Orleans and happens all around the country. It’s the official pep talk of the show and sets the tone for everyone to go out there and kill it on stage and give their all.
Vagina Woolf: I like to take a long shower with candles lit and lounge music playing. I spend at least an hour preshow stretching and meditating. I always put a drop of lavender oil on my wrist and take yogic breaths before going on stage. I really like when another doll touches my tummy before going on stage to ground me.
How to Keep the Glitz, and Add the Weird!
By Kelzey QuickLee
Burlesque is about a lot of things, but somewhere at the core is sexuality. So, it stands to say that becoming a burlesque performer involves becoming acquainted with one’s own sexuality. One must also come face-to-face with one’s self-view. Are you a diva? A queen? Are you submissive? Subversive? Commandeering? Coy? Deviant? Furthermore, what is your character going to be like? Is he/she a glamorous stage presence? A goofy clown? A cheesecake pin-up? As you build your character you must figure out what of your personality and sexuality you can comfortably fit into that mold.
My stage name for the very first Rocket Doll show was Sin Dee Licious. It didn’t suit. I am not that overtly sexual. I am not a fuckin bowl of ice cream. I discovered that what i really wanted to do was avert the attention from sexiness. I aim to make people nearly forget about my toplessness – or even to be disturbed by it. This aesthetic is in direct confrontation with the presentation of classic burlesque, which, as we Dolls like to say backstage, is all about making people LOOK AT IT. Classic burlesque is about detail, glamour, sheer confidence, epic costumes, small, beautiful dance movements, long pauses, slow peels. So, how does one combine that with the weird, character-driven, often “ugly” aesthetic of Neo Burlesque? It took me a long time to figure out how to get the raw feeling i wanted without scrapping all of the glitz from the stage (because there should still be some glitz). Below is some of the best stage advice I’ve stumbled into after 5 years of being RDR’s resident oddball.
1) WHAT WOULD YOUR CHARACTER DO?
This is the first question of neo-burlesque. With neo, one is 8/10 times creating a character and a storyline. You will refer back to this question often. Just keep it close and use it often.
2) GLITTER
Let’s talk glitter. I hate the shit. Boyfriends hate it. Girlfriends hate it. Roomates find it in their goddamned lettuce. Let me fill you in on something wonderful: you DO NOT have to wear glitter. Refer to step one. The question is: would your character wear glitter?
3) RHINESTONES
Another burlesque staple that you do not HAVE to use. However, open your mind up a bit on this one. Would your character use rhinestones? No? Okay, what about the stage version of your character? Better yet, would rhinestones add shock value or visual appeal to your act? Let me give an example: One of my trademark acts features a corporate pig. He has no use for rhinestones on his suit (he is not Vegas Pig, he is Corporate Pig) but, his belly calls for attention. Lots and lots of attention. Hence, rhinestones.
4) MAKEUP
The makeup tips for a neo act differ greatly from the makeup tips for classic, beautiful stage face. But, i would venture to say that makeup in a neo act is one of the most important touches. Refer to Step 1. Now, RESEARCH. Go all out. Do not be afraid to look messy or over the top. You probably do not – you probably look like a character deserving of a stage. Invest in spirit gum and liquid latex.
5) HAIR
Sometimes I feel a little weird when the other gals have their hair all curled and did and mine is… Not. DO NOT GET IN THE HABIT OF NEVER DOING YOUR HAIR. Your hair is still important, no matter the act. That does not mean that you have to do all the classic pinup styles. It DOES mean that your hair should suit the routine. Put a wig, mask, or hat over it. Tease it, twist it, braid it. Just do something to it.
6) FABRIC
If you decide that your act does not call for so much sparkle, try to add some interest with texture. Use various fabrics to create interesting focal points.
7) STORY
If your body and your presence are not to be the purpose of the entire experience, then your story and your character must be. Ask yourself if the story you are trying to convey is relatable. Create a beginning, a middle, and an end. Maintain the character throughout OR develop a change in character. This also translates to the striptease. In a situation where you are not simply a beautiful glamazon there to take them on a magical journey of the flesh, the audience must understand WHY your character is taking off their clothes. Don’t just get onstage dressed as a giant donut and take off your clothes. Use music choice, dance, and narrative to make the strip make sense. Examples: Trini Bikini has a signature act as a gigantic cheeseburger. She uses the song “Any Way You Want It” to create narrative. I have an act as a cyborg. I become human and use dramatic music and dance to create the feeling of breaking free.
8) DANCE/CHOREOGRAPHY
Dance is an important aspect to all of burlesque. There are many different levels and types of dance represented in burlesque. But, no matter what level you dance at or what type of routine you are creating, it is important to choreograph the main bits. Know when you will take things off/put things on. Know when you will look at the crowd and when you will look away. These little nuances can pull together all of the story.
9) PROPS
Props can be fun and even important. DO NOT USE TOO MANY. Until you have had quite a bit of experience – and sometimes even then – props have a way of making an act look messy. Limit yourself to 5 – and even that might be pushing it. Do not be afraid to mime! Miming can be magical.
10) COMMIT
Be your character. Know your character. Know your story. For the 2-5minutes you are onstage, DO NOT stop being that character.
11) HAVE A GOOD TIME
… Dammit!
Doll Parts: Stage Names
How did you choose your stage name? For some people, it’s an obvious choice. Maybe they’ve always had a nickname they want to use that they will easily and automatically respond to, or maybe it takes them 5 seconds to come up with something because they’re naturally clever. For others, it can take months of brainstorming and indecisiveness before they select a name they love. Here’s how the Rocket Dolls each came up with their own alter ego’s nomenclature:
Frenchy LaRouge: My real life last name is (the word) French, practically everyone on that side of my family is nicknamed Frenchy including myself, so it was a natural choice for me. La (or le) Rouge is a fairly common burlesque last name, with rouge meaning red in French, and since I’m a redhead it seemed easy and appropriate.
Desiree De Carlo: Desiree means desired in French, and was also the potential name my dad had chosen for me before I was born (he lost). De Carlo is a reference to the gorgeous Yvonne De Carlo, who was a glamorous Old Hollywood starlet (and fantastic dancer) that went on to play Lily Munster in the 60’s. That combo of glittering sex appeal & mid century camp was greatly inspiring.
Lula Lawless: Lula is from one of my favorite movies of all time, David Lynch’s Wild at Heart. Lawless for the opposite of my muggle life as a paralegal.
Trini Bikini: My sister actually came up with mine!
Kelzey QuickLee: I would answer that, but then I would give away all of my deep mystery.
Gurl Haggard: My name was just a serendipitous shout out! I had once thought, years prior, that Gurl Haggard was a great play on Merle Haggard’s name. When I was randomly asked to fill in and help kitten for the Rocket Dolls, it was the first thing I blurted out when I was asked how I wanted to be introduced. I have never regretted the split second decision because “girl” was a childhood nickname (I come from a family of mostly boys) and I have always loved outlaw country. This all being said I am even happy that my stage name has spun into its own nickname that I get called more than my muggle name – Hags.
Phyllis Thriller: When I joined the Rocket Doll Revue as the resident emcee, I had been performing regularly as a stand-up comic for two years. Many of the earliest female stand-up comics had roots within burlesque and were considered revolutionary for demanding that the audience listen to them speak rather than just watching them. I come from a legacy of strong, powerful, witty women, and I knew that I wanted to pay tribute to one of my comedy foremothers. The first time I performed with the Rocket Dolls at a trivia night as a yet-unnamed performer, I dedicated my set to the great (and, at that time, recently deceased) Phyllis Diller, “who paved the way for female comedians everywhere and is probably going to roll over in her grave at my act.” Two months later, when I officially joined the troupe, Phyllis Thriller was born. (Fun fact: I originally planned to name myself after my grandmother, who was called Kitty.) I also highly enjoyed the fact that my stage name is clever rather than glamorous. My muggle name is also very distinct, and I like to joke that I am the only burlesque performer to choose a stage name less sexy than her real name.
Patsy Blue Ribbon: I wanted something that was cheeky and had a Chicago connection. I also like beer!
Vagina Woolf: I struggled with appropriate name choices for a very long time. I couldn’t decide what I wanted to represent. I went between androgynous names and names that sparkled and glittered. I had been talking with my sister about my struggle, when she suggested “Vagina Woolf.” I loved that it was a play on Virginia Woolf (whom I enjoy as an author). This name had an appropriate amount of raunch associated with it. Not only that, but it represents my strong feminist directive and provides an amusing amount of discomfort (you know, because “vagina” is a dirty word). I have never looked back.
Showgirl Secrets: Looking Your Best On Stage!
By Desiree De Carlo
Anyone who has attended a Rocket Doll Revue production, or has seen our girls in public appearances, instantly KNOWS how much effort and attention to detail we put into our respective looks. My lifelong obsession with over-the-top glamour, combined with my real life career in the world of beauty (I’ve been in the business since 2009, and have spent the last two years as a makeup artist for Yves Saint Laurent) has resulted in a backstage prep routine that could rival any professional Vegas showgirl. Over the past 5 years, the Dolls have cultivated a troupe culture that encourages self expression and a unique presentation, but absolutely sets the bar for all performers to look their personal best on stage. We have been asked so many times, “HOW do you do it?”, and aside from great lighting, confidence, and good personal habits, it’s mostly ILLUSION. This is not a costuming post, or a hair and makeup tutorial post, but a list of some of our troupe’s most valuable tips and tricks for looking great for your audience. I certainly believe these “secrets” should be accessible to anyone who wishes to create an impactful presentation in the broad spectrum of burlesque performance. This has nothing to do with weight, body type, gender or natural beauty. When you are choosing to become a burlesque performer, you are taking on a great responsibility— to wow a paying crowd. Even if you have amazing dance skills, a killer act concept, or a magnetic stage presence— this is a visual art form, and we must prepare ourselves to DAZZLE! People are here for a show, so your stage time is your opportunity to seize their attention, and give them something much larger than everyday life. Not only will incorporating these techniques help you to appear polished for shows and photos, but they will help you to feel even more confident in your self-created image. This is not the time to skimp on effort— embrace artifice, opulence, sex appeal, and become the fantasy!
Makeup: Wear It. This even goes for the boys! There are so many different ways to paint your face, and burlesque gives us an outlet to try all of the colors, techniques, and special extras! It seems obvious, but it is important to remember that you can (and should) wear way more makeup on stage than you would in your typical “day” face. Everything should be exaggerated. The internet is bursting with information on how to do any type of makeup that your heart desires. But there are a few staple steps that I find to be very impactful, and generally universal when it comes to a stage face.
- Lipliner! Use it to define and even change your lip shape. Not only does a good lipliner create a base for lipstick and other products to stick to and wear longer, it gives a polished edge to any lip look. I always recommend lightly filling in your entire top and bottom lip with the liner of your choice, making sure color is distributed evenly (it’s getting covered up, so it doesn’t have to be perfect) and then carefully make your outline. Drawing just on the outside edge of your natural lip, taking care to give extra definition to your cupid’s bow, is a great way to give your pout a plump shape. Then top with your favorite lipstick, gloss, even glitter! Use nude and pale lips sparingly, unless they really add to your overall presentation. Be sure to gently exfoliate your lips with a warm washcloth before a show, and let a bit of balm soak in for a couple hours before you start your makeup. My favorites lip pencils are waterproof versions by Make Up For Ever and Urban Decay.
- Complexion Perfection! My head spins at the foundation options available in today’s market. You really need something with more coverage for stage and photography, especially if you are prone to redness, blemishes, or hyper pigmentation. The goal is a flawless canvas on which to build your face. No matter what you choose, make sure it is something with some staying power, and set it with a light dusting of loose translucent powder. Loose powders do not have the filler and binders required to make pressed powder, so they are less likely to settle in and look cakey halfway through the show. I always do my eye makeup FIRST, then use my complexion products to create a clean, smooth canvas. Nothing like getting your foundation perfect and then getting fallout from your smokey eye all over your cheeks. Scotch tape will also help to grab stray product, such as shadow dust and glitter. Learn to artfully utilize basic contouring (cheekbones and underneath the chin/jaw can be incredibly slimming) and highlighting, and always do a pop of blush on the apples. You want to be sure to have plenty of color and definition in those bright lights!
- Lashes! I think false eyelashes might be every Rocket Doll’s favorite part of the makeup process. Although you can certainly wear false lashes in your regular life, the use of a flattering pair of lashes is essential for any stage look. There are maybe 2 performers I know that have nice enough real lashes to get away with just mascara for stage. Even if you use primer, or a growth serum, even if you live for those gimmicky “fiber lash” mascaras— it’s simply not enough. Performer 101 is learning how to fit and apply your own false lashes. Most seasoned performers know certain brands and specific styles that suit their tastes and flatter their eye shape the best. You can always trim the band on lashes that don’t fit, or buy demi length if you don’t want to wear them corner to corner. If you are doing a more involved shadow look, you don’t want to choose lashes that are so long or thick that they cover up your hard work. Get a quality glue and just toss the crap that sometimes comes in your lash package (Duo is the gold standard, and although it isn’t as cheap as some, it lasts forever). It’s a good idea to have a spare pair on hand in your kit. If there was a snafu, you would not want to be left lashless. Experiment with layering multiple pairs at once— have fun and give em an eyeful!
- Serving BODY (makeup that is). Did you know that most of the Rocket Dolls use body makeup in some form? Whether it’s a little concealer on the bikini line, a tinted moisturizer on the legs, or full on coverage, it is important to give the skin on your body the same attention you give your face. Razor burn, bruising, zits, stretch marks, and cellulite can all be camouflaged! If you are going to be covering a considerable area, or if what you are wearing is light colored, expensive, or will come in contact with extra friction/sweat, I highly recommend choosing long wearing, water resistant products that are actually formulated for use on the body. Regular concealer or foundation can work in a pinch, as can mixing a heavier foundation with moisturizer to help blend it out. Exfoliating and moisturizing pre-show will add to the effect. We always recommend using shimmer and glitter lotions and potions for your body. You’re showing some major skin— why not sparkle in the light?
We are lucky enough to have multiple professional hair stylists in The Rocket Doll Revue. However, it doesn’t take a ton of skill or complicated work to achieve beautiful stage hair. Unless an act specifically calls for it, it is absolutely unacceptable to appear in a show or special event in STREET HAIR. I have seen lifeless styles, limp ponytails, messy buns, even greasy or rumpled hair on performers. There are plenty of ways to achieve show-worthy hair with or without a large time or monetary investment.
- The easiest and most time-saving tool I have utilized is a set of hot rollers combined with a thermal setting spray. You can also do heat set classic pin curls on most hair lengths with a curling iron and some clips. Both of these techniques can set while you do your makeup and get dressed. Learning to use a teasing comb is also essential, even if “big hair” isn’t your thing. Dry shampoo is useful for volume, grip, texture and saving too-dirty hair in a pinch. For most of us, the most exciting option for stage hair is the use of wigs, falls, extensions, ponytails and bangs! You can always have human hair pieces dyed to match your real hair, which many of us do. Use a wig cap when necessary, and PLEASE do not slap on raggedy, ungroomed or ill-fitting cheap Halloween wigs (unless the act calls for it of course). Once you learn a few elevated hairstyles and begin building your fake hair wardrobe, your life will be forever changed.
Everyone wants to know how to look good nearly-naked. I can proudly say that through burlesque, our Dolls have developed a real love & respect for the bodies of ourselves and others, beyond what we already possessed. Sexy comes in many different forms, and what you feel inside can easily be reflected in the way your carry yourself on stage. Your personal shape and size is your own damn business— but since you are presenting your body in various stages of undress for an audience, it is good to know some tips for not only looking but feeling your best when baring it all.
- Wear your air heels! This applies is scenarios where performing barefoot is appropriate for an act, you break a heel mid-act (I’ve done it!) or more likely in the event you do not want to replace your shoes after a stocking peel. Aside from the fact that they look pretty and make us feel sexy, a big reason why performers need to wear heels is to create a more elongated, flattering silhouette. Wearing heels makes your legs look longer and more toned, your butt perkier, your stomach flatter, and your stride sexier. When we ditch the shoes, we need to remember to put on our air heels! This term means walking gracefully on the balls of your feet, with the heels elevated. Think of a Barbie foot. Practice to make it look and feel natural to you. As a side note, flats are not generally recommended for stage, unless they are act specific, in which case they should be embellished to look like costume shoes, not something you just grabbed out of the closet.
- Showcase your booty! Another fab way to add some oomph to your derriere is by wearing elastic leg garters or thigh highs (non gartered) high up on the leg so that they rest under your butt cheeks, giving them a boost. This is a tried and true old school stripper trick, and we are still doing it for a reason! The thigh high technique will also eliminate a potentially unflattering roll at the top of the stocking when wearing a tighter stay-up style. Use of hosiery that is not removed during an act also eliminates the need to use body makeup on the legs.
- Bump your bust! For those of us who have experienced sagging or excess skin in the breast area, or those who just wish they were perkier, there is a WONDERFUL trick that I myself utilize in every show and shoot. This technique requires the use of moisture resistant carpet tape. It does not work for very small pasties, as they need to be large enough to cover your tape base. To do the magic carpet tape breast lift, you will want to cut long strips of tape and stick them on the edge of a counter or table. In one hand you will manipulate and center your breast in the general position you desire, and place carpet tape in the area underneath the nipple, pulling upward and securing. You can use several strips of tape until you feel secure and get a balanced shape. Carefully fold in the outer excess so it can be hidden. Then apply tape to the inside of your pasties, being sure to pull the skin slightly upward when securing to the breast. Once you get the hang of it, you will not believe how amazing the effect is. Easier and cheaper than plastic surgery!
- Posture makes perfect! Having good posture is not only important for stage, but there are many mental and physical health benefits. Research shows that adjusting to good posture instantly increases self-confidence. Posture is crucial to your stage image, the energy you exude, and for dance technique. Researching ways to improve posture can make a MASSIVE difference in how your body photographs and how the audience perceives you as a performer. Make it a point to check your posture throughout the day, when sitting, standing, walking, and dancing, and adjust when necessary.
- The mirror is your friend. When we are rehearsing choreography for an act, we use a mirror. Do not forget that it is SO important to practice a variety of stage faces in the mirror as well! Be in the moment during a live show, but also be reasonably in control and aware of what your face is doing. Everyone has occasional funny or odd face moments, but there is almost nothing more painful than watching someone who cannot get a hold on their facial expression. Obviously a lot of this depends on your burlesque persona and what type of number you are doing, but no matter the mood it is important to engage the audience and perform with your face as much as you do with your body. Vacant stripper face is the worst, as is a performer trying to make overly sexy or cheesecake pinup faces when it does not come across as genuine or believable. Other essential mirror time: look at yourself naked or in lingerie every chance you get. Spend more time naked! I’m not necessarily talking sex or exhibitionism. You have chosen to participate in an art form where striptease and eroticism is the name of the game. The more natural spending time nude feels and the more comfortable you become with seeing your body exposed, the more enjoyable watching you disrobe will be for the audience. Thinking you are body confident and being able to demonstrate it believably are 2 different things.
I hope you’ve enjoyed reading what I feel are some of the most important tricks and tools for putting your most glamorous and confident self on stage! I always encourage new and experienced performers to constantly seek out new and better ways to look their best. Never stop learning! Develop your beauty arsenal, and use it to its greatest potential.
XOXO,
Desiree
New Podcast w/ Brother Brother Beer Cast
Frenchy and Phyllis went on Indy’s Brother Brother Beer Cast last week and had a wonderful chat with Johnny & Brendan about our upcoming ’70s show, Shag! Plus, life as a Rocket Doll, all the people that help us with shows, singing in shows, and Brendan’s crush on PBR, among other things. Click the link below to listen online.
How to Get Into Burlesque (by Frenchy LaRouge)
How do I get into burlesque? It’s a question we get a lot from fans and friends. It’s a question most established dancers get on a regular basis from other interested folx, and we’re not the first, nor the last I’m sure, to finally just post a set of guidelines on the internet for those who are curious. So here it is, Frenchy’s advice on how to get started in the world of burlesque:
1. GO TO SHOWS. Research, read about the history of burlesque, watch videos of experienced performers online, talk to performers in your area about what the community is like. Get as much info as you can! We may make it look easy on stage but trust me when I say, we did not wake up like this. If you’re doing it right, burlesque takes a lot of time, effort, and (usually) money. I personally have to book an act 3-5 times to recoup my costume expenses, for some people it’s more or less than that. Figure out what you can put into it as a hobby (very few people make a career in burlesque but it does happen), what you’d like to get out of it (are you an entertainer at heart or do you just want to experience the thrill of the strip a few times?), and what you might be able to offer the community as a whole.
2. Take a class, or find a mentor. Would you pick up an instrument without finding out how to play it first? Burlesque is no different than joining a band, or trying out for a play. You should know what you’re doing before you get on that stage! If you can find a class in your community, take it! If you can’t find a class in your area, see if you can find someone who is willing to mentor you, someone who has been in the game for several years and can give you solid, honest advice on how to put together a performance and get booked in a show. Find someone who can tell you WHY they’re qualified to teach you the art of the tease, and can back that up with facts and experience. Having a mentor can save you time and often money on costuming as well. Learn everything you can! Never stop learning.
3. Pick a name! Picking a stage name is important, and fun. Do yourself a favor and steer clear of overused, typical “burlesque” names. They might sound fancy and exotic to a new performer, but once you get further into the community you’ll wish you didn’t have the same last name as 15 other people, trust me. If I could go back and tell noob Frenchy one thing it would be to pick something a little more unique or personally meaningful than LaRouge. Choose something that tells the audience who you are, and make sure it’s something they can pronounce and chant. I would also advise staying away from overly complicated puns or names that will pigeonhole you into a certain aesthetic or kind of performance, although some very dedicated individuals can pull that off! Also, once you decide on something, GOOGLE IT. It’s no fun getting a message from someone who’s been using the name you picked for 10 years already.
4. Network. Introduce yourself to performers and/or producers at shows, get their email address or business card if they have one, and send them a quick, professional message that you’d love to help in any way you can. Volunteering to work the merch table or stage kitten a show is a great a way to get behind the scenes and develop relationships with people you want to perform for or work with. They can’t book you if they don’t know you!
5. Develop an act. Come up with a solid, unique routine that you can shop around to individual producers or troupes. I always suggest starting with something that isn’t specific to a certain theme, that way it’s easily repeated and can potentially fit in anywhere. Some troupes have auditions, and in that case you will want to be able to show them a fully realized act. If you can, get video of it to send to producers, even if it’s just on your phone in your living room, that way they know what they’re booking. A lot of cities have at least 1 regular showcase for new and independent performers that are a good place to get some experience under your belt.
6. Be professional, honest, and open. It’s ABSOLUTELY ok not to know everything, and to ask questions, and to need help. A good attitude and willingness to listen will take you far in this community!
I hope this is helpful for anyone passionate about getting into striptease. It can be an extremely rewarding hobby/career and something that has definitely changed my own life in so many ways I can’t even begin to explain.
Thanks for reading!
xoxo,
Frenchy LaRouge
Wink!
Have you been to our new monthly burlesque & variety show at Crackers Comedy Club in Broad Ripple? You should definitely check it out! It’s only 8 bucks, AND it’s 18+!
Wink is a chance for us to give performers and burlesque students from around the city, and other comedy and variety performers, a chance to get on stage and show their stuff!
Every 3rd Wednesday starting at 9pm!
Check out our promo video for the show here:
Burlesque 101
Bunny Barebuns begins teaching a new session of classes tomorrow, January 9th! Art of the tease- a burlesque class for performers and non-performers alike- is gearing up for 9 weeks of shakes, shimmies and sassiness plus burlesque theory and character/act development. She is also debuting a new flexibility class where students at all levels of flexibility will be led in a 45 minute thorough stretch as well as learn tips for inching towards any flexy goals! Bunny is the flexiest, stretchiest, and bendiest, this class is definitely worth your time and money! Both classes will be held at Motus Dance Theatre’s studio and will begin at 7:15 (stretch) and 8 (tease.) Take advantage now of Motus’ offer to buy either class in a complete session and save!!! (both classes are also open to drop ins.)
http://motusdance.com/rocket-doll-revue-burlesque-101/
http://motusdance.com/stretching-with-bunny/
Email us at rocketdollrevue@gmail.com for any questions you have about the class, or find Bunny Barebuns on fb.